The three posters are available exclusively at the three main “gift store” merch areas at the stadium, so if you’re heading to Wrigley today, make sure you go to the right shops. And with only 1000 copies of each print available, make sure you get there early before all of these beauties get snatched up! The third and final print (also 18×24) by design team Landland, made up of Jessica Seamans & Dan Black, is a surrealist depiction of an old-timey baseball team, complete with birds and bears. Phish has revealed three different poster prints for the weekend’s festivities ahead of their first-ever run at Chicago’s iconic Wrigley Field tonight and tomorrow, and as usual, they look incredible.The first, by well-known Phish poster artist David Welker, is 16×16 and appropriately depicts a Lizards baseball game, in the artist’s signature style. The second (an 18×24 print) is credited to Status Stereograph, the design studio of frequent Phish designer Justin Helton, and features a whale swimming up to a bouquet of flowers.
Central Park SummerStage is getting an extensive makeover for next summer’s concert season. The flagship venue of the City Park Foundation‘s long-running SummerStage series. The venue, located in the heart of New York City’s iconic Central Park at the Rumsey Playfield, will be revamped with a new stage, cover, and sound system in addition to new lighting and video infrastructure. The upgraded venue will have improved sightlines for fans in general admission and will include a VIP section with seating and covering.Central Park SummerStage has shared a concept video for the upcoming renovations, which you can watch below:Central Park SummerStage Concept Video[Video: SummerStage]As the City Parks Foundation’s executive director, Heather Lubov, explained to Billboard, “We are thrilled to unveil our new venue for our 2019 season and are excited to be ushering in a new era of City Parks Foundation’s SummerStage with a venue that has been planned holistically, one that enhances both the audience’s and the artists’ experience.”As Billboard recently noted,The Central Park venue will see a 20 percent increase in diameter for its stage canopy and foundational support will be reinforced to accommodate the weight load of larger productions. The new stage will include a front thrust, added side wings and LED screens on either side.Bleacher seating will be raised for better sightlines and ground seating with chairs will be added for up to 1,900 guests. The venue’s full capacity can hold up to 5,500. VIP areas will have increased capacity along with designated bleacher space, backstage bar and air-conditioned bathrooms. The updated venue will now feature improved backstage accommodations with new greenrooms, private viewing area for artists and guests, upgraded dressing rooms and a backstage patio area. The renovations will also include improved ADA access and various hydration stations throughout the footprint. Central Park SummerStage was originally founded in 1986 at the Naumberg Bandshell, which sits adjacent to the current SummerStage venue inside the park. While the bandshell remains in use for a variety of smaller-scale community events and exhibitions, SummerStage shifted their base of operations to the Rumsey Playfield in 1990. SummerStage presents 30 free events each year in Central Park in addition to other free events in parks throughout the city’s five boroughs. The City Park Foundation funds these free events with the profits from their roughly twenty annual ticketed shows at the main Central Park venue.This year’s lineup of Central Park SummerStage ticketed offerings included performances by Phil Lesh, Trey Anastasio, Dispatch, Trombone Shorty, Pete Rock, Old Crow Medicine Show, OAR, Mac DeMarco, Blood Orange, and many more.For more information about Central Park SummerStage, head here.[H/T Billboard]
The final “s” sounded the loudest at the “Africa Remix: Producing and Presenting African Musics Abroad” conference on Friday, jammed into a busy, blustery morning ahead of two feet of snow.“In France many people speak about la musique Africaine. This singular is shocking to me. I see it as a denial of an incredible variety of music,” said Francis Falceto, originator and editor of the 29-volume “Ethiopiques” CD series, giving the keynote address of what had been intended as a daylong symposium at the Barker Center.Noting that appreciation of African music has flourished since the earliest recordings in the years after World War II, Falceto said the plurality of African sounds during the “golden years” of the 1950s and ’60s eventually and inevitably became influenced by Africa’s technological dependence on the West and its efforts to bring its music outside the continent’s borders.“We are no longer in the presence of African music made in Africa” but in the presence of a new offspring of world music, he said. In its new form, “It is the music of Africa that has found the most resonance worldwide.”The effect that musical emigration has had, on both the countries to which it has traveled and the music itself, was the subject for three graduate students who took the podium to discuss issues of appropriation and collaboration in modern African music. Sarah Hankins in “Iron Lion in Zion” discussed the shifting identity of the “other,” and the Afrodiasporic influence in Israel, as demonstrated by musicians such as the Groove Ambassadors and the Idan Raichel Project. As Israelis adopt material previously perceived as foreign, a new, “glocal” sound has emerged, “presented in ways that speak specifically to the Israeli-African experience,” she said. “As [African music] increasingly carves a place … a greater space may emerge for the African self within Tel Aviv.”“We are no longer in the presence of African music made in Africa” but in the presence of a new offspring of world music, said Francis Falceto, originator and editor of the 29-volume “Ethiopiques” CD series. In its new form, “It is the music of Africa that has found the most resonance worldwide.”In “Remix and Relevance,” Sharon Kivenko focused on the political role Malian artists have assumed since a military coup last year unseated the elected government and the country devolved into a battleground for Tuareg rebels and Islamist extremists. Artists such as Amkoullel and Oumou Sangare blend traditional and new styles to keep their sound relevant while making the point that national unity can coexist with ethnic and cultural diversity.“It has become clear to me that in a time of crisis and shifts in national identity, Malian artists turn to remix as a way to make an impassioned plea to help restore the unity of their nation,” Kivenko said.While Hankins and Kivenko looked at collaboration, Warrick Moses explored appropriation, focusing on the hip-hop band Die Antwoord as an example of white South Africans assuming elements of black culture to “confound centrist notions of black and white.” In his James T. Koetting Prize-winning paper, “White Skin, Black Masks,” he proposed that the band’s “careful selection and performance of familiar South African cultural tropes and possessions ultimately reflects an all-inclusive and nationalist aesthetic.”The question of appropriation fixated other speakers at the conference. Ingrid T. Monson, the Quincy Jones Professor of African-American Music, pointed out that although music can easily cross borders, “what’s stickier and less fluid are the social positions and economic and structural relationships.”“It’s not that you can’t cross those boundaries, but you’d better think about the politics and economics and the history of color,” she said.Russ Gershon, the founder, leader, and principal composer for the Either/Orchestra, countered that musical ideas cannot be appropriated like property: “You can borrow ideas, play with them, transform them, but you can’t possess them.”Jacob Edgar, the founder and president of the record label Cumbancha, put in the final word. Pointing out that Elvis Presley and the Beatles borrowed freely from musical traditions that were not their own, he said, “Music is as much about individuality as it is about the music itself.“There’s just something that clicks with people in a different way, and that’s a big part of what makes music work, is the individual personality behind it.”
Junior Lucie Ly first volunteered at the South Bend Catholic Worker as a Notre Dame Vision mentor the summer after her freshman year. She enjoyed the service so much she made it a part of her routine the following year, and decided to stay at the women’s house over her sophomore year spring break.“Basically, I cooked meals with them, I ate with them, whenever they went to the store I went to the store with them — I just did chores, just normal, everyday things but with this community of people,” Ly said.Dorothy Day and Peter Maurin founded the Catholic Worker Movement in 1933 on the conviction that every person has the same human dignity, giving them the right to respect and love. This belief drove Ly’s desire to live in community for a week.“I didn’t do that so much to volunteer as to really live with the women and experience what they experience on a daily basis because I saw a lot of ‘us versus them.’ Like they came in and saw these volunteers trying to be good people doing service and they kind of felt isolated from the Notre Dame students,” Ly said. “I didn’t want them to feel like I was trying to pity them or do charity work for them. I wanted them to see me as trying to be equals with them.”According to an article in “Today‘s Catholic,” the South Bend Catholic Worker encompasses a men’s house and a women’s house, each of which houses 10 residents, and Our Lady of the Road, a drop-in center that includes laundry and shower facilities, a chapel and a dining area serving well over 100 people breakfast every weekend. Junior Sam Ufuah spends every Saturday morning at the drop-in center cooking and serving breakfast alongside the homeless, some of whom are volunteers themselves.“A lot of them actually come from Hope Ministries, which is another community focused on helping people who are disadvantaged get opportunities for jobs and homes,” Ufuah said. “Some of them are volunteers themselves. They go to different shelters and help out despite not having homes, which is just incredible.”The men’s and women’s houses eat dinner together every night of the week, sharing duties and spending time in community. Notre Dame professor Margaret Pfeil, who co-founded the South Bend Catholic Worker in 2003 with former professor Michael Baxter, is an integral member of that community, Ly said.“She lives in the house next to the men’s house, and sometimes she has guests stay at her house as well, she lives with her husband,” Ly said. “Whenever she doesn’t have conferences or meetings, she tries her best to be eating with the guests. She knows all her guests very intimately, she goes to the drop often and works there, she’s just a very active member. She’s not just up there on the administrative level taking care of everything — she’s actually involved in the work.”That work includes helping the residents find jobs, but never with the impression that this is their last chance, Ly said.“[Pfeil] is a great resource,” Ly said. “She’ll be a good recommender for them for certain jobs and she really encourages them to find work and get them on their feet, but the Catholic Worker is there as a support for as long as they need it.” Both Ly and Ufuah said the South Bend Catholic Worker truly embodies the vision of the larger organization.“It’s really neat because not just volunteers come — people just come to have dinner, it’s a community and these people are friends,“ Ly said. “When I first started working there it was hard for me to distinguish who was a staff member and who was a guest because they all lived very similarly.” Ufuah said he was inspired by a quote from Dorothy Day in the backroom at Our Lady of the Road while volunteering his sophomore year.“She said something like, sharing yourself with the poor is love because there comes a point where you and that category is blurred and there’s no longer a category, it’s just you and your brother, you and your sister,” Ufuah said. “I really took that to heart because we tend to categorize people based on whatever attributes, but underneath all that is just humanity, it’s just man and I think being there has helped me develop that in my heart.”Tags: Catholic Worker House, Dorothy Day, Margaret Pfeil, Our Lady of the Road, Peter Maurin
Notre Dame is one of six locations that applied to host the 2020 presidential election debates, the Commission on Presidential Debates announced Wednesday.Three cities will be selected as hosts by the nonpartisan organization, POLITICO reported.Other locations vying for the spots include Belmont University in Nashville, Creighton University in Omaha, the University of Michigan in Ann Arbor, the University of Utah in Salt Lake City and the city of Hartford, Conn.University spokesman Dennis Brown said Notre Dame has no additional information at this time.This report was updated at 8:39 p.m.Tags: 2020 general election, 2020 presidential election, Commission on Presidential Debates, Debate
By Myriam Ortega/Diálogo November 04, 2020 In mid-September, the Colombian Navy dealt a new blow to narcotrafficking during an operation conducted in Cauca department, on the Pacific coast of Colombia. Three labs used to process coca base paste, which belonged to dissidents of the Revolutionary Armed Forces of Colombia, were found and destroyed, the Navy said in a press release.Guided by naval intelligence, troops of the 42nd Marine Riverine Battalion, the 2nd Counternarcotics Battalion, and the 7th Air Command deployed in a hard-to-reach jungle area, where they found three illegal facilities capable of accommodating about 20 people, the Navy said.Guided by naval intelligence, Navy troops found three illegal structures that produced coca base paste in a jungle area of the Cauca department. (Photo: Colombian Navy’s Pacific Naval Force)On site, units found two seedbeds with 60,000 coca plants, 5,640 liters of coca base paste in process, 1,125 kilograms of macerated coca leaves, 9,728.5 liters of gasoline, 200 kg of solid chemical precursors, and several weapons. Service members also found three industrial leaf choppers, three presses, four motor pumps, and an industrial stove, among other tools used to produce the drug, and a fiberglass boat, the Navy reported in the statement.Colombian Marine Corps Colonel Wisner Paz Palomeque, 2nd Marine Brigade commander, told Diálogo that the three labs were capable of producing 2,000 to 3,000 kg of coca base paste monthly.“The [criminal] groups Structure 6 and Structure 30 are the owners of that drug; they own those manufacturing sites and labs that we’re destroying,” Col. Paz said.At the same time, near the mouth of the Bubey River, in Cauca department, the Navy made another seizure. “In one of the controls carried out by Battalion 42, upon inspecting one of the vessels that was crossing the river, that substance [cocaine hydrochloride] was seized,” Col. Paz said. “The drug was bound for one of their clandestine manufacturing sites; we are using intelligence to look for the exact place to be able to destroy that lab.”The vessel, with two crew members on board, carried 20 packages of cocaine, the Navy said. “On several occasions, we’ve seized boats carrying several kilograms, 300, 150 of coca base paste,” Col. Paz said.According to the Pacific Naval Force, in operations carried out along the Pacific coast of Colombia from January 1 to September 29, the Navy destroyed 67 labs; seized 114,759 kg of cocaine, 33,020 kg of marijuana, and 269 long-barreled guns and handguns; and captured 138 people for narcotrafficking.
Read also: 710 vehicles seized for violating ‘mudik’ banNational Police traffic corps chief Insp. Gen. Istiono said 156,774 vehicles were prevented from going on mudik.“This is the longest operation we have ever done, as the usual traffic operation during the Idul Fitri holiday is normally held for 14 to 15 days. In addition to managing traffic, we urged people not to go on mudik to prevent the spread of the novel coronavirus,” Istiono said on Monday, as quoted by kompas.com.The Jakarta Police reported that 70,719 vehicles had been asked to turn around while trying to enter the capital during the traffic operation, about 29,000 of which were not allowed to enter the city between May 27 and June 7 because of the absence of an entry and exit permit (SIKM).“I appreciate all personnel from the police, military and related agencies who have worked together during this year’s Operation Ketupat,” said Istiono. (aly)Topics : The National Police have reported that the number of road accidents during this year’s Idul Fitri mudik (exodus) season was 31 percent lower than last year’s, a decline from 2,851 accidents to 1,980.The death toll decreased by 63 percent – from 1,116 in 2019 to 418 this year.Security personnel intercepted motorists intending to return to their hometowns despite the mudik ban during this year’s Operation Ketupat, a security operation during Ramadan and Idul Fitri, between April 24 and June 7.
Venice’s floods, “acqua alta” (high water) in Italian, are caused by a combination of factors exacerbated by climate change – from rising sea levels and unusually high tides to land subsidence that has pushed down the city ground level.Of the 23 tides ever recorded above the 140-cm level, 14 have occurred in the last two decades, including five last November when the city’s St Mark’s Square was submerged under a meter of water.Mose was originally due to go into service in 2011 but got swamped by corruption, cost overruns and construction delays.It is designed to protect Venice from tides of up to 3 metres, well beyond current records, but critics have questioned whether it would ever prove effective and said upkeep could be prohibitive, pointing to the fact that some barriers are already badly rusted.Topics : Defying the naysayers, a flood barrier has protected Venice from a high tide for a second time, rising up from the lagoon floor on Thursday as strong winds started to push water into the city.The system of 78 floodgates, known as Mose, had a successful first outing in early October and showed its mettle again, saving Venice from a tide that officials had predicted would reach 135 cm (4.43 ft). At that level, roughly half the city would normally be left underwater.The local tidal authority said on Twitter the tide rose as high as 141 cm in areas not protected by Mose, while in Venice it was just 52 cm, leaving the squares and alleyways clear.
Dutch Damen Shipyards Group is expecting that Romanian government’s pre-emption right regarding Mangalia shipyard will be waived by the end of the month, enabling Damen to acquire a share in the yard.Once the waiver of the pre-emption right is made public, Damen will be able to complete the transaction, the shipbuilder said in a statement.“We look forward to a positive result of the shareholders’ vote at the extraordinary shareholders meeting of March 30, where hopefully the pre-emption right will be waived. This is the key hurdle in the process towards a long-term strategic partnership with the Romanian government,” René H. Berkvens, CEO of Damen Shipyards Group, said.In November 2017, Damen signed a share purchase agreement for the acquisition of Daewoo Shipbuilding & Marine Engineering’s (DSME) shareholding in Daewoo Mangalia Heavy Industries (DMHI). DSME owned 51% of the shares in the yard and the Romanian government the remaining 49%.However, the government was blocking the agreement between Damen and Daewoo for several months as it wanted to exercise its pre-emptive right through its shareholding in Santierul Naval 2 Mai SA Mangalia.On March 21, 2018, negotiations between Damen and the Romanian government on DMHI were completed. The state decided to waive its pre-emptive right to acquire the stake owned by DSME under one condition. Specifically, Damen will have to assign 2% of the 51% share bought from Daewoo.With this agreement, the Romanian government is becoming the majority shareholder in DMHI. As a result, the government will own a 51% stake in the yard and Damen the remaining 49% stake, Romanian Ministry of Economy said in a separate statement.“Together with the great support of the Romanian government, Damen will restore the financial health of the yard, rebuild employment numbers and increase activity levels of high-end projects. In the meantime, Damen will facilitate a smooth transition and keep talented and skilled resources meaningfully employed,” Berkvens added.Located on the Black Sea coast, the Daewoo shipyard in Mangalia was established in 1997 as a joint venture between Daewoo and 2 Mai Mangalia Shipyard with Daewoo as majority shareholder. The facility has been undergoing capital erosion since 2008 due to the lack of orders amid the global financial crisis, production delays and accumulated losses.
On the other hand, the case who died was indigenous, according to the Department of Health (DOH) Region 6. * Antique – 15 The patient died on July 7, according to Dr. Ma. Sophia Pulmones, head of DOH-6’s Local Health Support Division, two weeks before his test result came out (yesterday). People can catch COVID-19 from others who have the virus. The disease can spread from person to person through small droplets from the nose or mouth which are spread when a person with COVID-19 coughs or exhales./PN * Guimaras – zero *23-year-old male from Molo, Iloilo City (Patient No. 799) The most common symptoms of COVID-19 are fever, tiredness, and dry cough. The 13 cases – four from this city and nine from Iloilo province – were the following: * Aklan – six * 24-year-old male from Carles, Iloilo (Patient No. 803) * 32-year-old female from Ajuy, Iloilo (Patient No. 810) * 22-year-old male from Mandurriao, Iloilo City (Patient No. 808) * 57-year-old male from Santa Barbara, Iloilo (Patient No. 806) Some patients may have aches and pains, nasal congestion, runny nose, sore throat or diarrhea. These symptoms are usually mild and begin gradually. Some people become infected but don’t develop any symptoms and don’t feel unwell. * Repatriates – 595 Here’s the breakdown of the region’s 810 COVID-19 cases: * 42-year-old male from Zarraga, Iloilo (Patient No. 800) * Iloilo province – 67 Patient No. 804 who died had fever on June 25. On June 29 he had himself checked by a doctor and was hospitalized on July 6 then tested. They were three medical healthcare workers and 23 family members. ILOILO City – This city and Iloilo province recorded 13 new cases of coronavirus disease 2019 (COVID-19), one of whom died. The cases brought to 810 Western Visayas’ cases as of yesterday. * 69-year-old male from City Proper, Iloilo City (Patient No. 804, died) Older people, and those with underlying medical problems like high blood pressure, heart problems or diabetes, are more likely to develop serious illness. * 24-year-old male from Carles, Iloilo (Patient No. 801) * 30-year-old male from Tigbauan, Iloilo (Patient No. 807) * 36-year-old female from Dumangas, Iloilo (Patient No. 805) Most of these new cases were locally stranded individuals; three were repatriated overseas Filipino workers. * 38-year-old male from Barotac Viejo, Iloilo (Patient No. 809) * Negros Occidental – 32 * Bacolod City – 27 His 26 close contacts were immediately ordered to undergo home quarantine beginning yesterday, said Pulmones. * Iloilo City – 49 Western Visayas’ COVID-19 mortality is now at 16, with 506 cases having recovered – leaving the region with 288 active cases. Patient No. 804 had long been suffering from hypertensive cardiovascular disease, Pulmones added. * 25-year-old female from Carles, Iloilo (Patient No. 802) * Capiz – six * 26-year-old male from La Paz, Iloilo City (Patient No. 798)